9803643625
aahafilmspvtltd@gmail.com

Message of Director

ceo
Raj Bahadur Sane
Writer & Director

"Raj Bahadur Sane is a well-known and talented director in the Nepali film industry. He has been working in Nepali cinema as a writer and director for almost one and a half decades. He is known for his strong storytelling, excellent screenplay writing, and his ability to portray social realities in an impactful way. He is especially skilled at presenting the hidden issues of Nepali society in an original and meaningful manner. He has directed several films including Brindaban, Birangana, Citamol, Juna, Parkhi Bas Farki Aauchhu, Silly Pho, Good Friend, and Doli. Along with direction, he has also written stories, screenplays, and dialogues for many films, which highlights his versatility and creativity in Nepali cinema. Raj Bahadur Sane has directed around “one dozen TV serials” including Mayako Chino, Maitighar, Aangan, and “more than five dozen music videos.” He has also received several national awards. In 2080 BS, he was honored with the National Film Award in the category of “Best Writer” for the film Bulaki. His filmography includes several recent films such as Citamol (2025), Silly Pho (2022), and Good Friend (2021), among others."

About Movie

ceoLajjawoti is a Nepali fiction film produced by Aaha Films Pvt. Ltd. The film is written and directed by Mr. Raj Bahadur Sane, who is known for his strong storytelling and realistic cinematic style. The producers of the film are Mr. Kamal Prasad Sharma, Mr. Sandip Kumar Roka, Mr. Dinesh Budhathoki, and Mr. Bhim Prasad Gharti Magar. The film is presented by Mr. Saurav Woli. The Co-Producer is Mr. Bhim Bahadur Roka, and the Finance Manager is Mr. Prakash Pun. The story revolves around Lajjawoti Sharma, a young woman who returns to Nepal from Australia after completing her higher education, determined to contribute something meaningful to her country. The film features performances by lead actors Mukun Bhusal, Indra Bahadur Shrestha (Sadhir), Samip Niraula, Menuka Majhi,Dhiren Sakya, Januka Bishwakarma, Kyra Thompson, Hiuwala Gautam, Sushil Pokharel, Dhiren Shakya, Mao Tse Gurung, Sapana Shrestha, Priya Rijal, Dhan Bahadur Pun, Baburam Sunar, Binod Shrestha, Keshav Rijal, and Ramhari Khadka, among others. The film will be primarily completed in three schedules. The first schedule will take place in Kathmandu, the second schedule will be filmed in Sauraha, Chitwan, and the third schedule will be shot in Gold Coast, Australia. In this way, the filming of the movie will be completed. The film features music by renowned composers Babul Giri and Thaneshwar Adhikari. The cinematography is by Divya Subedi. Mahesh Budhayer and Bishal Baral are the chief assistant directors, and Sandeep Kumar Roka is the assistant director. The executive producer is Mr.Bhim Prasad Gharti Magar, and Dil Bahadur Pun is the manager. Ravi Giri and Karuna Khatri are responsible for makeup, while Raj Kumar KC is the art director and Puja Woli is the costume designer. The Australian line producer is Jemes Greville. Lajjawoti blends emotion, fiction, and engaging characters, aiming to offer Nepalese audiences a fresh and meaningful cinematic experience. After completing her MBBS studies in Australia, Lajjawati Sharma returned to Nepal and settled in the peaceful surroundings of Sauraha. Despite the abundance of opportunities abroad, she carried only one dream in her heart to open a hospital in Nepal and serve her own people. But her parents had a different plan. They wanted their daughter to settle down, get married, and begin a stable life. They had even arranged a possible match for her: Dr. Sudhir KC, Lajjawati’s classmate in Australia. Sudhir lived in Gold Coast, but his personal life was far from perfect. For a long time, Sudhir had been living together with an Australian girl named Nura. One day, however, he was found in aa compromising situation with another Nepali woman and it was Sudhir’s close friend, Avinash Bikrant KC, who revealed this secret to Nura. Feeling betrayed, Nura threw him out immediately. The Nepali woman also broke up with him. Sudhir suddenly found himself alone, mentally distressed, and emotionally broken. Amidst this turmoil, his parents pushed forward the marriage proposal and called him to Nepal for an engagement with Lajjawati. Meanwhile, Lajjawati felt increasingly overwhelmed. She believed in choosing a life partner based on love, not an arranged alliance. Yet she had no concrete reason to present to her family to explain why she didn’t want this match.One day, mustering courage, she told her parents, “I am not ready for marriage right now. I want to focus on opening my hospital first.”But their response offered only pressure “Get married first. You can pursue your dreams afterward.” Eventually, the day of Sudhir’s arrival in Nepal arrived. With a heavy heart, Lajjawati boarded a tempo and headed to the airport. Sensing her sadness, the driver Guru gently asked, “This doesn’t seem like a happy occasion, madam?” In that moment, Lajjawati opened up. She spoke of the pain of arranged marriage, her longing for a relationship built on love, and the deep confusion she felt. Guru, smiling softly, gave her a simple yet bold suggestion: “If you were to show up with a boyfriend today, that Australian gentleman might step back on his own.” After thinking for a moment, Lajjawati asked, “I don’t have anyone here… would you be my boyfriend for just one day?” Guru smiled. “Why not?” At the airport, the atmosphere turned tense the moment they met Sudhir. When Lajjawati introduced Guru as her boyfriend, the situation became even more strained. Sudhir’s arrogance, Lajjawati’s firm response, and Guru stepping in to stop Sudhir’s aggressive behavior all of it awakened, for the first time, a sense of safety and respect in Lajjawati’s heart. What began as a casual acquaintance between Lajjawati and Guru soon transformed into a deep, genuine love. But her parents refused to accept the relationship. Arguments escalated at home, and the stress eventually made Lajjawati ill. Through it all, the one who cared for her day and night was Guru. Seeing Guru’s sincerity and affection, time itself seemed to bind the two closer. One day, Guru made a major decision. He sold his own land in Sauraha and, with help from a few friends, laid the foundation for Lajjawati’s dream a hospital. Years passed. Three years later, the Guru–Lajjawati Hospital became a renowned name in Sauraha. Patients folded their hands in gratitude. “To us, Dr. Lajjawati is nothing less than a goddess,” they said. Witnessing this transformation, Lajjawati’s parents visited Sauraha during Dashain with the entire family. Seeing their daughter’s achievements, her husband’s dedication, and the love and respect they received from the community, they were stunned. Tears welled up in her mother’s eyes. “We were wrong… The man you chose is truly the right one.” Finally, in the presence of both families, Guru and Lajjawati were married. The lanterns of Sauraha, the drums, the songs, and the joyous crowd . everything came together to turn their love story into a truly cinematic celebration. Sudhir is consumed by the fire of regret. When Lajjawati abandons him and chooses a tempo driver instead, he realizes what was missing within himself. He vows never to hurt any woman again and decides to marry the girl chosen by his parents. That girl is none other than Sandhya. Eventually, Sudhir and Sandhya get married. ound by trust, respect, devotion, and love, they embark on a new journey together.